Absentee bids let you place your maximum bid on an item before the live auction begins. During the live show, we’ll continue bidding on your behalf up to your max bid — just like leaving a bid with a traditional auctioneer.
When you place an absentee bid, you’ll choose a bid strategy. Your chosen strategy determines how the current bid will be set at the time your bid is placed. Your maximum bid always remains confidential.
The available strategies are:
🐢 Slow & Steady — starts your bid low and lets others chase you.
⚡💥 Power Bid — starts at about half your max to show intent without revealing your top number.
♥️♠️ All In ♦️♣️ — sets the current bid to your full bid amount right away.
The current bid shown on each lot reflects all confirmed absentee bids and updates automatically as new bids come in.
When the live auction starts, bidding will begin at the current bid. The auctioneer will continue bidding on behalf of absentee bidders up to their max bids.
Because absentee bids can arrive seconds apart, the current bid you see may not always include bids still being processed. Refresh the page for the most up-to-date information.
For our full absentee bid policy, please click here.
Bidding Quick Facts
How bidding works
All items have a minimum bid of $1.00.
When "No Bids" is displayed, it means no absentee bids have been placed on this item yet.
Once bids are placed, the current bid will be displayed instead.
For more information on the bidding process, please click here.
Bid Successfully Submitted!
Your absentee bid for Lot 149 - Antique Hand-Painted Theatrical Set Design For “Princess Turandot” Featuring An Industrial Stage Interior With Arches, Gears, And Flame Motifs, By Robert E. Van Rosen (1904–1966), Gouache On Bainbridge Illustration Board No. 80, 1926, 20" x 15" was successfully submitted—thank you for bidding with us!
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For our full absentee bid policy, please review the Auction Rules.
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Lot 149 - Antique Hand-Painted Theatrical Set Design For “Princess Turandot” Featuring An Industrial Stage Interior With Arches, Gears, And Flame Motifs, By Robert E. Van Rosen (1904–1966), Gouache On Bainbridge Illustration Board No. 80, 1926, 20" x 15"
Lot 149 - Antique Hand-Painted Theatrical Set Design For “Princess Turandot” Featuring An Industrial Stage Interior With Arches, Gears, And Flame Motifs, By Robert E. Van Rosen (1904–1966), Gouache On Bainbridge Illustration Board No. 80, 1926, 20" x 15"
Antique original hand-painted theatrical set design for the Provincetown Playhouse production of “Princess Turandot,” executed in gouache on Bainbridge Illustration Board No. 80 and signed “R. Van Rosen – 1926” in the lower right. The composition presents a striking industrial-inspired stage interior with bold angular architecture, suspended platforms, gears, and stylized flame motifs rendered in shades of gray, black, red, and orange—reflecting the influence of early modernist and expressionist scenic design. Reverse bears the handwritten title “Princess Turandot, Provincetown Playhouse, 1926,” the artist’s signature, and a United Scenic Artists Local 829 stamp. Surface wear, toning, and edge chipping consistent with age and studio handling.
Robert E. Van Rosen (1904–1966) was an American industrial designer, stage designer, author, and lecturer. Born in Kiev, Russia, he served as an officer in the Red Army and participated in the anti-Communist underground before emigrating to the United States in 1923, later becoming a U.S. citizen in 1930. His career encompassed industrial and stage design, authorship, and teaching, and he was affiliated with the Society of American Military Engineers and the Association of the United States Army. He was listed in Who’s Who in American Art and Who’s Who in the Midwest.
(Biographical information courtesy of Syracuse University Libraries, Special Collections Research Center: https://library.syracuse.edu/digital/guides/v/vanrosen_re.htm)